{"id":20,"date":"2026-01-15T10:37:53","date_gmt":"2026-01-15T10:37:53","guid":{"rendered":"http:\/\/tacomma.com\/?page_id=20"},"modified":"2026-01-18T21:26:10","modified_gmt":"2026-01-18T21:26:10","slug":"cadillac-palace","status":"publish","type":"page","link":"https:\/\/tacomma.com\/index.php\/musique\/cadillac-palace\/","title":{"rendered":"CADILLAC PALACE"},"content":{"rendered":"\n<p>Leurs parcours et leurs influences totalement \u00e9clectiques ne sont pas un frein, bien au contraire, mais plut\u00f4t une source de cr\u00e9ativit\u00e9 in\u00e9puisable. De tout fa\u00e7on ils ne sont pas \u00e0 un paradoxe pr\u00eat et se moquent bien du qu\u2019en dira-t-on.<br><strong>S\u00e9bastien Leibundguth<\/strong>&nbsp;et&nbsp;<strong>Jean-Baptiste Berger<\/strong>&nbsp;partagent la m\u00eame envie: r\u00e9aliser un trio alliant \u00e9nergie, violence, douceur, contraste et m\u00e9langeant, tous ces langages musicaux qu\u2019ils \u00e9coutent ou pratiquent depuis tant d\u2019ann\u00e9es. On parle alors de Marc Ducret mais aussi de Steve Vai, de John Zorn mais \u00e9galement de John Coltrane, de Paul Motian Trio, d\u2019Hyperactive Kids en passant par Tiny Bell Trio, de la sc\u00e8ne fran\u00e7aise tant qu\u2019allemande en passant par New-York, de la sc\u00e8ne jazz \u00e0 celle du rock\u2026<br>Ils d\u00e9marrent alors un travail de composition, d\u2019improvisation et d\u2019apprivoisement!<br>Les th\u00e8mes tortueux glissent sur des ritournelles chaotiques. Les solos se percutent aux rythmiques impaires. Les motifs d\u00e9suets s\u2019enchev\u00eatrent aux clich\u00e9s assum\u00e9s.<\/p>\n\n\n\n<p>La rencontre avec&nbsp;<strong>J\u00e9r\u00f4me Klein<\/strong>, batteur luxembourgeois, et avec Jean-Baptiste Berger s\u2019effectue lors de leur participation au projet europ\u00e9en Jazzplayseurope en 2012. Aventure qui leur permettra de partager leurs g\u00f4uts musicaux et l\u2019envie de jouer \u00e0 nouveau ensemble.<\/p>\n\n\n\n<p>Cette rencontre offre toute la richesse du son jazz et la pr\u00e9cision du classique \u00e0 l\u2019esth\u00e9tique rock la plus \u00e9pur\u00e9e. L\u2019improvisation et l\u2019\u00e9criture sont au service d\u2019un lyrisme et d\u2019une \u00e9nergie des plus communicatives, se d\u00e9clinant parfois dans des tons sombres, parfois rutilants, toujours passionnels.<br>Le trio se veut un lieu d\u2019expression et de dialogue entre les trois musiciens \u2013 \u00e0 voix \u00e9gales \u2013 qui revendiquent l\u2019ouverture \u00e0 tous les possibles ; \u00e0 l\u2019instantan\u00e9 et au<br>pr\u00e9m\u00e9dit\u00e9. De l\u2019improvisation \u00e0 l\u2019\u00e9crit, du son \u00e0 la m\u00e9lodie.<br>Entre longueurs am\u00e8res et envol\u00e9e des plus orageuses, ce trio batterie-saxophone-guitare baigne dans un univers r\u00e9solument contemporain.<\/p>\n\n\n\n<p>PRIX DU PUBLIC TREMPLIN JAZZ D&rsquo;AVIGNON 2014<\/p>\n\n\n\n<p>Jean-Baptiste Berger: tenor saxophone<br>S\u00e9bastien Leibundguth: guitare<br>J\u00e9r\u00f4me Klein: drum<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cadillac Palace au Sunset (Paris) 1\/2\" width=\"920\" height=\"518\" src=\"https:\/\/www.youtube.com\/embed\/Pm977jRvA5I?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cadillac Palace -Tremplin Jazz Avignon - Tous Dehors Contre La Pluie\" width=\"920\" height=\"518\" src=\"https:\/\/www.youtube.com\/embed\/ik5rjOiuQfc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<iframe loading=\"lazy\" title=\"Cadillac Palace au Sunset (Paris) 2\/2\" width=\"920\" height=\"518\" src=\"https:\/\/www.youtube.com\/embed\/I4BOUbOPfKk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n<\/div><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-1024x683.jpg\" alt=\"\" class=\"wp-image-77\" srcset=\"https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-1024x683.jpg 1024w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-300x200.jpg 300w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-768x512.jpg 768w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-1536x1024.jpg 1536w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-2048x1365.jpg 2048w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-920x613.jpg 920w, https:\/\/tacomma.com\/wp-content\/uploads\/2026\/01\/cadillaclogo3-666x444.jpg 666w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Leurs parcours et leurs influences totalement \u00e9clectiques ne sont pas un frein, bien au contraire, mais plut\u00f4t une source de<\/p>\n<p><span class=\"more-link\"><a href=\"https:\/\/tacomma.com\/index.php\/musique\/cadillac-palace\/\" class=\"readmore\">Continue reading<span class=\"screen-reader-text\">CADILLAC PALACE<\/span><\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":18,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":3,"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":78,"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/pages\/20\/revisions\/78"}],"up":[{"embeddable":true,"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/pages\/18"}],"wp:attachment":[{"href":"https:\/\/tacomma.com\/index.php\/wp-json\/wp\/v2\/media?parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}